Editing Mickey Mouse (film series) (section)

== Why It Can Join The Club That's Made For You And Me ==

# It's Disney animation at it's finest, with many of the shorts like ''Steamboat Willie'' actually being revolutionary for the animation industry in general.
#* In fact, it was ironically made because of an incident that happened in 1928, as Walt Disney and Charles Mintz had a contract dispute and Mintz took everything away from Walt and left him almost bankrupt at that point, especially since he had gotten big with Oswald the Lucky Rabbit, which he didn't own by the way. Thus he had to start from stratch and the rest is history.
#* Speaking of Oswald, Mickey Mouse serves as his faithful spiritual successor since Oswald's shorts had the same style as Mickey's later ones with more adult humor that the early Mickey shorts also had as well, thus making Mickey Mouse the half-brother of Oswald the Lucky Rabbit since they were from different studios but made by the same man, Walt Disney.
#** In fact, both of them were reunited in Epic Mickey, and many fans since have wanted Oswald to appear in new Mickey Mouse material, along with Max Goof and Kat Nipp.
# The titular main character of the show is a very cheerful and normally kind character, whose personality managed to help people overcome the infamous Great Depression of 1929, which happened shortly after the release of the first episode of the series, ''Steamboat Wilie''.
# These shorts have a good balance of fast pacing and meaningful narratives with simplistic premises that are easy to follow and go along with the usual 7 minute runtime of the series, as there is enough action and comedy that are used for the material to work, and the writing in these shorts is so well-executed that it's easy to see why it helped influence many animation legends such as Joseph Barbera, Chuck Jones, Tex Avery and many more alike to expand the medium of animation even further with lots of great slapstick gags and beautiful animation that it defined the Golden Age of Animation during the early 20th century at the time it was running, helping Mickey's status as the King of 2D animation.
# As mentioned in WICJTCTMFYAM#1.1, It helped Walt Disney from going bankrupt after he was fired from Universal Pictures by Charles Mintz from working on Oswald the Lucky Rabbit, which was a series he created for the company and sadly didn't own the rights to, and had his entire staff taken from him and his profits halved as a result, which could've resulted in his studio potentially shutting down. However, both Walt Disney and his fellow animator Ub Iwerks had one trick up their selves, by creating Mickey Mouse and making three shorts: Plane Crazy, Gallopin Gachuo and Steamboat Willie. While the first two bombed at the box office and failed to find a distributor, Steamboat Willie on the other hand was an instant hit and was picked up by Celebrity Pictures for distribution, thus resulted in the short becoming a massive box office success and made Mickey Mouse a household name, and made Walt Disney a celebrity himself and prevented his studio from going under, becoming innovative for implementing sound into cartoons and making the animation medium famous as a result, thus officially starting The Golden Age of Animation as a result.
#* In fact, this success was all due to how unique Mickey was from other cartoon characters at the time, since none of them had an established personality and could ever talk with sound, which Mickey had those to make up his entire character, and it helped him to become a relatable role model for children, and Walt knew that everybody didn't want a character too similar to Oswald the Lucky Rabbit, his previous character, thus in later shorts, he became more friendly and kind while still having a bit of mischief in his personality, making Mickey one of the most unique cartoon characters of all time.
#* Also worth noting is that Mickey allowed Personality Animation to become more popular and helped cartoons to feel more relatable to the audience, in comparison to other cartoons like Felix the Cat and Koko the Clown, who were more focused on making quick gags for the audience to giggle to, whereas Walt Disney decided to go against that and make the characters unique from each other with emotions and motives, thus allowing cartoons to be more complex and have more of a narrative.
# There are two different versions of Mickey that are equally as likable as each other.
#* The Classic Ub Iwerks design, who is very mischevious and can be very naughty at times, but is still kind-hearted and cares about others overall.
#* The Modern Fred Moore design, who is very laid-back, and can have his funny side to him and is a very good and kind boyfriend to Minnie and loves his friends Donald and Goofy, but can be expressive and emotional at times, even getting angry when something annoys him or gets on his nerves but is still likable as always.
# Several iconic moments, such as the opening of Steamboat Willie, Mickey saying his first words in the Karnival Kid, the entirety of The Band Concert, Mickey's dance in Thru The Mirror, Minnie and Mortimer's picnic date in Mickey's Rival, Mickey becoming CGI after being thrown out of the film by Pete in Get a Horse, Mickey becoming savage in Runaway Brain and Mickey shredding tears in Mickey's Christmas Carol.
#* Speaking of the opening of Steamboat Willie, it has been used for the opening logo of Walt Disney Animation Studios due to how iconic it is, thus proving the legacy of the short is still strong today.
# Many catchy and memorable music tracks, including Minnie's Yoo Hoo, which was actually the series' theme song until the early 1930's.
# Some characters are given unique traits and character motives that make them stand out from others, and gives them a lot of charm, such as Goofy (who is extremely clumsy and silly, but very lovable at the same time), Pete (who is Mickey's rival most of the time but can occasionally be friendly with him in some shorts and TV shows), Mortimer (who is very aggorant and only cares about himself, and often steals Minnie from Mickey just to embarass him as a result, but is actually very charming and a fun character overall).
# It has very fluid hand-drawn animation which looks extremely impressive for the era.
#* There are also revolutionary uses of animation that were unique at the time, such as reflective mirror shots, usage of squash and stretch, utilising color, and many more.
# Mickey's iconic popularity status makes him, alongside other characters like Bugs Bunny and Super Mario, be among the most popular fictional characters and all three are prime examples of popular culture icons.
#* His earliest versions have even entered the public domain, allowing anybody to use them, which gives fans the opportunity to use him whenever they like, but only the Steamboat Mickey, not the modern version though.
# Various memorable characters like Mickey Mouse, Donald Duck, Goofy, Minnie Mouse, Pluto, Pete, Chip and Dale, Huey, Dewey and Louie, etc...
#* Many of these characters would even gain their own TV shows and comic books, especially with Goofy to the point where he even got his own movie in 1995, A Goofy Movie (which is considered to be an amazing film and a cult classic amongst Disney fans alike).
# It spawned several TV shows such as ''The Mickey Mouse Club'', ''Mickey Mouse Works'' and ''Disney's House of Mouse.''
#* Speaking of Mouse Works, it is often considered to be one of the best versions of Mickey Mouse to date along with the Paul Rudish version, for how faithful it is to the source material of the Walt Disney shorts.
# The show had a pretty good revival named ''[[The Wonderful World of Mickey Mouse]]'' (allbeit it once shared it's name with the original series) which ran from 2013 to 2023 and even featured episodes with international themes, where Mickey is shown as an habitant of different countries like Japan, South Korea, Brazil, Monaco, China, Mexico, Russia, France, Spain, Italy and even various US cities, like New York and San Francisco.
#* It also helped Mickey Mouse to be seen more of an actual character rather than a corporate mascot that most people saw Mickey as with the release of the infamous Mickey Mouse Clubhouse, which thankfully the revival series helped to redeem, by making Mickey very relatable and funny overall.
# Multiple shorts like the ones where Mickey is accompanied by Donald and Goofy are the proof of subplots done right.
# Unlike other cartoon short series of the era of the era like ''[[Looney Tunes & Merrie Melodies (franchise)|Looney Tunes]]'' and ''[[Tom and Jerry (Hanna Barbera era)|Tom & Jerry]]'', the later Mickey Mouse shorts didn't overuse violence and inappropriate humor, instead using a more lighthearted humor that still comes off as funny in multiple occassions.
#* Whenever there are inappropriate jokes though, they're very well-handled and aren't taken seriously like most cartoons at the time, thus proving how unique these cartoons truly were for their time.
# These cartoons introduced numerous staples of most entertainment nowadays, such as Sound, Personality-Driven stories, the four fingered character trope, Love Triangle cliches and many more tropes and cliches that have been used in many pieces of entertainment (either if they are used brilliantly or poorly) today, and media wouldn't be the same without Mickey Mouse, which makes Mickey Mouse an important part of pop culture.
# Phenomenal voice acting, especially with Walt's and Wayne's portrayal as the iconic character, since both voices are amazing and have become associated with Mickey himself. Other performances include Bill Farmer's performance as Goofy and Russi Taylor's performance as Minnie, both of which have become iconic on their own.
# It popularised the iconic rubber-hose animation era of the 30s by being inventive and revolutionary, and inspired numerous animation studios and cartoonists of today and back then, due to the usage of squash and stretch in the later shorts that paved the way for many cartoons in the 40s and 50s, and helped to evolve the animation scene at the time, and helped animation to become a permanent part of pop-culture to this day.
#* In fact, the 2013 revival series by Paul Rudish actually utilises the original rubber-hose style of the old cartoons very well and show how faithful they are to the original Walt Disney shorts.
# Some shorts tend to combine elements of dark, horror, action, thriller, comedy and drama together very well and helped to give the Mickey Mouse film series it's own identity, unlike most other cartoons where they're usually more focused on comedy and mostly involve characters doing wacky things, something that Mickey Mouse spices up in a few shorts while still keeping it fresh and exciting for new audiences.
# Steamboat Willie is often considered to be one of the more iconic shorts in the series, due to how it revolutionised the film industry, and helped usher in a new era of cartoons where they were more focused on the character's personality and less on using them for quick gags for a laugh, since it was the first sound cartoon with synchronised sound and had some voice acting implemented into it, a first for 1928 film standards, and the opening is one of the most iconic film openings in cinema history, and since the short has entered the public domain, it means gives opportunities for fans to expand the shorts legacy for a new audience and help introduce them to the original Mickey Mouse, and allow for creative use of the original design of the character, thus making the short a historical landmark within film history, becoming one of the most successful cartoons of all time, and helped Mickey Mouse to become an icon of animation.
#* In fact, people have already been making parodies and fan projects based on the short itself, thus proving how Steamboat Willie transends across the generations and how it's still relevant to this day.